After the Storm by Mumford & Sons, because this song was there for me when no one else was.
Done by Jake at Tatu Tattoo in Chicago. I’ll never have anything but awesome things to say about that guy.
(via ruminates)
And it’s shit like this that I don’t really think people understand. While you’re supporting the gutting of food stamps, medicaid, and other social programs, you’re legitimately committing people to die.
(Source: wearethe99percent, via stfuconservatives)
thegiantsquid submitted: “Some facts for those who try to mix religion and politics”
so about that ‘christian nation’ nonsense…
(conqueror-bat submitted.)
so, okay. the bill is publicly available for those that speak legalese and wade through it. i tried, but i got bogged down. however, the news outlets reporting this (forbes and huffpo among them) do not mention torture or assassination. i’d really like to see a source for those claims.
not that this means the bill isn’t horrific, because it absolutely is.
In the early 1940s, commercially viable color films (except Kodachrome, introduced in 1935) were brought to the market. These films used the modern technology of dye-coupled colors in which a chemical process connects the three dye layers together to create an apparent color image.
The expense of color film as compared to black-and-white and the difficulty of using it with indoor lighting combined to delay its widespread adoption by amateurs. In 1950, black-and-white snapshots were still the norm. By 1960, color was much more common but still tended to be reserved for travel photos and special occasions. Color film and color prints still cost several times as much as black-and-white, and taking color snapshots in deep shade or indoors required the use of flash bulbs, an inconvenience and an additional expense. By 1970, prices were coming down, film sensitivity had been improved, electronic flash units were replacing flash bulbs, and in most families color had become the norm for snapshot-taking. Black-and-white film continued to be used by some photographers who preferred it for aesthetic reasons or who wanted to take pictures by existing light in low-light conditions, which was still difficult to do with color film. They usually did their own developing and printing. By 1980, black-and-white film in the formats used by typical snapshot cameras, as well as commercial developing and printing service for it, had nearly disappeared.
a+ would lol again.
(via bunnyjunk)
